Here's an old painting of the Plague, which seems appropriate... not for me or home but the world in general. The pic on the easel is following the theme.
Weird times anyway. Yesterday felt tremendous, energetic and happy; and after a very short time in the studio decided I really really didn't want to paint. Don't remember such a feeling - distaste for the process, weariness at the outcome. Perhaps because of the total lack of encouragement, internal or external.
Off now to have another go. Will finish the current work, plus the crown, then clean up. Properly.
In Amsterdam, by luck, I met Lino Hellings. She advised me to keep my work diary on-line, exposing my work methods rather than protecting them, risking the humiliation involved in failure. So:celebrate error. In my heart I knew this to be a good idea. My brain, horrified, fortunately tells me it will be too boring for anyone to read.
Saturday, 29 February 2020
Friday, 28 February 2020
28 02 2020
... hard at it, which means a lot of time lying on the day bed looking at the easel. I suppose its one way of painting; 10 mins slamming the stuff on, half-an hour getting over it.
Well, its raining.
Well, its raining.
Monday, 24 February 2020
Saturday, 22 February 2020
22 02 2020
By the time I got round to drawing at La Franqui it was a bit windy so bashed out one seascape only. Quite like it. Great day out. Sea side terribly refreshing.
Friday, 21 February 2020
21 02 2020
Dead hen picture finished, <sniff>
Death and the maiden, dunno - needs something - and this needs everything.
BUT off the the coast today. Taking drawing stuff.
Death and the maiden, dunno - needs something - and this needs everything.
BUT off the the coast today. Taking drawing stuff.
Wednesday, 19 February 2020
20 02 2020
Yesterday started badly with my pretty black hen dead, feet in the air, no apparent reason. I'd been painting a captured bird that afternoon, a distressed and screaming bird -
thence to Carcassonne, Ian to hospital, other stuff = no studio time. When I did look in was alarmed that I've taken to doing really ugly stuff. Did I ever have notions of The Line of Beauty kind of thing? Why would I inflict nastiness on a viewer?
thence to Carcassonne, Ian to hospital, other stuff = no studio time. When I did look in was alarmed that I've taken to doing really ugly stuff. Did I ever have notions of The Line of Beauty kind of thing? Why would I inflict nastiness on a viewer?
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